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20" x 24" oil painting Contact us for the price. 1-888-383-4858 info@newportbrushstrokes.com
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SOLDBlend Cota Hand Signed Oil on Canvas 48x60 Fire Treated Resin Finish 3" Black Shadow Box with Metallic Finish Certificate of Authenticity Ready to Hang Blend Cota's painting is a combination of aggressive brushstroke textures with soft details that merges into a vibrant movement of colorful expression.This unique Blend Cota original has undergone a proprietary fire treated resin finish, that gives this work of art a vibrancy where colors and the subject come to life. Disclaimer: This is a photo of the one and only Blend Cota physical original painting, displayed here for viewing purposes.
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An original 16″ x 20″ (40.64 x 50.8 cm) oil painting on canvas.Painted in 2010, this painting has been museum sealed and copyrighted for authenticity. It is framed and backed with paper, ready-to-hang with appropriate hardware.
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"Blend Cota Hand Signed" Oil on Canvas 48x60 Fire Treated Resin Finish 3" Black Shadow Box with Metallic Finish Certificate of Authenticity Ready to Hang Blend Cota's painting is a combination of aggressive brushstroke textures with soft details that merges into a vibrant movement of colourful expression.This unique Blend Cota original has undergone a proprietary fire treated resin finish, that gives this work of art a vibrancy where colors and the subject come to life. Disclaimer: This is a photo of the one and only Blend Cota physical original painting, displayed here for viewing purposes."
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This digital art is what modernism entail. With such detail and beauty, it is definitely a piece to look out for. The appreciation for art and technology is transpired in each digital stroke of the art
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Bazille's Studio (L'atelier de Bazille) is an 1870 painting by the French impressionist Frédéric Bazille in collaboration with Édouard Manet. It has been kept at the Musée d’Orsay in Paris since 1986. It shows the artist himself surrounded by his friends in his studio, including the painters Édouard Manet and Pierre-Auguste Renoir.
Bazille shared a studio on the Rue de la Condamine with Renoir from January 1868 to May 1870. The tall Bazille is center stage, holding a palette, having in his own words been “painted in by Manet.” On the right, Edmond Maître, a friend of Bazille, is seated at the piano under a Monet still life. Manet is talking to Bazille and Renoir is seated.
All the wall-mounted pictures surrounding are ones that were rejected at some time by the Salon and for which Bazille is expressing his support. This artwork is currently located at the Musee D’Orsay in Paris, France, and has yet to be appraised.
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Liberty Leading the People is a painting by Eugène Delacroix honoring the July Revolution of 1830, which toppled King Charles X of France. A woman of the people with a Phrygian cap personifying the concept of Liberty leads a varied group of people forward over a barricade and the bodies of the fallen. She is holding the flag of the French Revolution – the tricolor, which again became France’s national flag after these events – in one hand and wielding a bayonetted musket with the other. The figure of Liberty is also viewed as an emblem of France and the French Republic, known as Marianne. The artwork is sometimes wrongly thought to depict the French Revolution of 1789. Delacroix depicted Liberty as a symbolic goddess figure and a vigorous woman of the people. The mound of corpses, and wreckage acts as a kind of pedestal from which Liberty strides, barefoot and bare-breasted, out of the canvas and into the viewer’s space.
Delacroix painted his work in the autumn of 1830. In a letter to his brother dated 21 October, he wrote: “My bad mood is vanishing thanks to hard work. I’ve embarked on a modern subject—a barricade. And if I haven’t fought for my country at least, I’ll paint for her.” Liberty Leading the People is exhibited in the Louvre in Paris.
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An original 12″ x 16″ (30.48 x 40.64 cm) oil painting on canvas.Painted in 2011, this painting has been museum sealed and copyrighted for authenticity. It is framed and backed with paper, ready-to-hang with appropriate hardware.
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Thomas Kinkade was an American painter of popular realistic landscapes of nature. Friendship cottae built into a 16x20 canvas is in wonderful condition
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An interesting take on abstract art. The latter portrays the beauty of the blur and superpostition of exquisite color. This italian artist is ahead of her time by using color and the uncertaintity to portray elemts of our everyday life.
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An original 20″ x 16″ (50.8 x 40.64 cm) oil painting on canvas painted using photographs taken by my daughter while visiting in-laws.Painted in 2010, this painting has been museum sealed and copyrighted for authenticity. It is framed and backed with paper, ready-to-hang with appropriate hardware.
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An interesting take on abstract art. The latter portrays the beauty of the blur and superpostition of exquisite color. This italian artist is ahead of her time by using color and the uncertaintity to portray elemts of our everyday life.
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St. Francis in Ecstasy (or St. Francis in the Desert) is a painting by Italian Renaissance master Giovanni Bellini, started in 1475 and completed around 1480. Bellini depicted the religious figure of St. Francis of Assisi in a landscape. The painting portrays Francis of Assisi, the Italian saint of the early 13th century, in an Italian landscape, stepping out in the sun from his cave, his figure anchoring the creamy celadon and golden-green landscape.
Bellini became sophisticated in his painting skill in the fifteenth century, the culmination of which is Saint Francis In Ecstasy. The moment is depicted in the painting is Saint Francis’s stigmatization on the mountain of La Verna. Bellini envisioned the stigmatization as a moment of human transformation into the divine.[7] The sun’s rays shine on St. Francis, symbolizing him as a Seraph-Crucifix in front of the sun, which indicates the suffering image of the Seraphim.
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An original 11″ x 14″ (27.94 x 35.56 cm) oil painting on canvas, an imaginary scene.Painted in 2011, this painting has been museum sealed and copyrighted for authenticity. It is framed and backed with paper, ready-to-hang with appropriate hardware.
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An original 12” x 24" (30.48 x 60.96 x 1.91 cm) oil painting on canvas.Painted in 2010, the painting has been museum sealed and copyrighted for authenticity. It is framed and backed with paper, ready-to-hang with appropriate hardware.
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18" x 32" Giclée Artist: Jean Auguste Dominique Ingres Year: 1814 Medium: Oil on canvas Dimensions: 88.9 cm × 162.56 cm (35 in × 64 in) Location: Louvre, Paris
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Viola was born in 1911 and died in 2000. She was a teacher in country and public schools. Her first love was always art. She enjoyed teaching others the different types of art drawing and oil painting. This Amazing 24x18 canvas is in wonderful condition.
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A 20" x 24″ (50.8 x 60.96 cm) original oil painting on canvas.Painted in 2012, this painting has been museum sealed and copyrighted for authenticity. It is framed and backed with paper, ready-to-hang with appropriate hardware.
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This digital art is what modernism entail. With such detail and beauty, it is definitely a piece to look out for. The appreciation for art and technology is transpired in each digital stroke of the art
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This digital art is what modernism entail. With such detail and beauty, it is definitely a piece to look out for. The appreciation for art and technology is transpired in each digital stroke of the art
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The Ambassadors is an oil on canvas painting of 1533 by Hans Holbein the Younger. Also known as Jean de Dinteville and Georges de Selve, it was created in the Tudor period, in the same year Elizabeth I was born. Speculations would suggest that Elizabeth’s mother, Anne Boleyn, then Queen of England, might have commissioned the painting as a gift for ambassador Jean de Dinteville, who is portrayed on the left in the painting. As well as being a double portrait, the artwork contains a still life of several meticulously rendered objects, the meaning of which is the cause of much debate. It incorporates a much-cited example of anamorphisms in painting. This painting displays the influence Early Netherlandish painting had on Holbein.
The most notable and famous of Holbein’s symbols in his work is the distorted skull placed in the bottom center of the composition. The skull, rendered in anamorphic perspective, another invention of the Early Renaissance, is meant to be a visual puzzle as the viewer must approach the painting from high on the right side or low on the left side to see the form as an accurate rendering of a human skull.
The Ambassadors has rested in London’s National Gallery collection since its purchase in 1890.
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Hometown Morning is the sixth and final look at the hometown of the artist's boyhood—and, the latter hopes, at some of the things you remember most warmly about your hometown as well. This artwork is framed, limited edition and handsigned by the artist
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An original 30″ x 40″ (76.2 x 101.6 cm) oil painting on canvas was painted using a collage of photography.Painted in 2009, the painting has been museum sealed and copyrighted for authenticity. It is framed and backed with acid-free paper, ready-to-hang with appropriate hardware.