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SOLDBlend Cota Hand Signed Oil on Canvas 48x60 Fire Treated Resin Finish 3" Black Shadow Box with Metallic Finish Certificate of Authenticity Ready to Hang Blend Cota's painting is a combination of aggressive brushstroke textures with soft details that merges into a vibrant movement of colorful expression.This unique Blend Cota original has undergone a proprietary fire treated resin finish, that gives this work of art a vibrancy where colors and the subject come to life. Disclaimer: This is a photo of the one and only Blend Cota physical original painting, displayed here for viewing purposes.
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An original 16″ x 20″ (40.64 x 50.8 cm) oil painting on canvas.Painted in 2010, this painting has been museum sealed and copyrighted for authenticity. It is framed and backed with paper, ready-to-hang with appropriate hardware.
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"Blend Cota Hand Signed" Oil on Canvas 48x60 Fire Treated Resin Finish 3" Black Shadow Box with Metallic Finish Certificate of Authenticity Ready to Hang Blend Cota's painting is a combination of aggressive brushstroke textures with soft details that merges into a vibrant movement of colourful expression.This unique Blend Cota original has undergone a proprietary fire treated resin finish, that gives this work of art a vibrancy where colors and the subject come to life. Disclaimer: This is a photo of the one and only Blend Cota physical original painting, displayed here for viewing purposes."
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Artist: Redina Tili Medium: Oil on Canvas Size: 20"/24" Year Created: 2015 Edition: IV *The artwork includes a certificate of authenticity (COA).*Store: DAVWATTS
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This digital art is what modernism entail. With such detail and beauty, it is definitely a piece to look out for. The appreciation for art and technology is transpired in each digital stroke of the art
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This masterful portrayal of Jesus on the cross depicts his majesty and symbolizes the ultimate act of love.
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Bazille's Studio (L'atelier de Bazille) is an 1870 painting by the French impressionist Frédéric Bazille in collaboration with Édouard Manet. It has been kept at the Musée d’Orsay in Paris since 1986. It shows the artist himself surrounded by his friends in his studio, including the painters Édouard Manet and Pierre-Auguste Renoir.
Bazille shared a studio on the Rue de la Condamine with Renoir from January 1868 to May 1870. The tall Bazille is center stage, holding a palette, having in his own words been “painted in by Manet.” On the right, Edmond Maître, a friend of Bazille, is seated at the piano under a Monet still life. Manet is talking to Bazille and Renoir is seated.
All the wall-mounted pictures surrounding are ones that were rejected at some time by the Salon and for which Bazille is expressing his support. This artwork is currently located at the Musee D’Orsay in Paris, France, and has yet to be appraised.
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Artist: Redina Tili
Size: 50 x 40 in
Year Created: 2018
*The artwork includes a certificate of authenticity (COA).*
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An original 12″ x 16″ (30.48 x 40.64 cm) oil painting on canvas.Painted in 2011, this painting has been museum sealed and copyrighted for authenticity. It is framed and backed with paper, ready-to-hang with appropriate hardware.
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Thomas Kinkade was an American painter of popular realistic landscapes of nature. Friendship cottae built into a 16x20 canvas is in wonderful condition
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Artist: Redina Tili
Size: 50 x 40 in
Year Created: 2018
*The artwork includes a certificate of authenticity (COA).*
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An interesting take on abstract art. The latter portrays the beauty of the blur and superpostition of exquisite color. This italian artist is ahead of her time by using color and the uncertaintity to portray elemts of our everyday life.
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Appraised at $650 million dollars, A Sunday Afternoon on the Island of La Grande Jatte (French: Un dimanche après-midi à l'Île de la Grande Jatte) is Georges Seurat's most famous work. Executed on a large canvas, it is a founding work of the neo-impressionist movement. Seurat’s composition includes several Parisians at a park on the banks of the River Seine. It is in the collection of the Art Institute of Chicago.
Seurat’s painting was a mirror impression of his painting, Bathers at Asnières, completed shortly before, in 1884. Whereas it is doused in light, almost every figure on La Grande Jatte appears to be cast in shadow, under trees, an umbrella, or another person.
In 1923, Frederic Bartlett was appointed trustee of the Art Institute of Chicago. He and his second wife, Helen Birch Bartlett, loaned their collection of French Post-Impressionist and Modernist art to the museum.
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An original 20″ x 16″ (50.8 x 40.64 cm) oil painting on canvas painted using photographs taken by my daughter while visiting in-laws.Painted in 2010, this painting has been museum sealed and copyrighted for authenticity. It is framed and backed with paper, ready-to-hang with appropriate hardware.
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Blend's powerful use of colors and detailed brushstrokes, demonstrate the force and oneness that Native Americans had with their horses. Through the masterful use of color, Blend intertwines them together as one, mighty, powerful, and swift.
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An interesting take on abstract art. The latter portrays the beauty of the blur and superpostition of exquisite color. This italian artist is ahead of her time by using color and the uncertaintity to portray elemts of our everyday life.
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St. Francis in Ecstasy (or St. Francis in the Desert) is a painting by Italian Renaissance master Giovanni Bellini, started in 1475 and completed around 1480. Bellini depicted the religious figure of St. Francis of Assisi in a landscape. The painting portrays Francis of Assisi, the Italian saint of the early 13th century, in an Italian landscape, stepping out in the sun from his cave, his figure anchoring the creamy celadon and golden-green landscape.
Bellini became sophisticated in his painting skill in the fifteenth century, the culmination of which is Saint Francis In Ecstasy. The moment is depicted in the painting is Saint Francis’s stigmatization on the mountain of La Verna. Bellini envisioned the stigmatization as a moment of human transformation into the divine.[7] The sun’s rays shine on St. Francis, symbolizing him as a Seraph-Crucifix in front of the sun, which indicates the suffering image of the Seraphim.
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An original 11″ x 14″ (27.94 x 35.56 cm) oil painting on canvas, an imaginary scene.Painted in 2011, this painting has been museum sealed and copyrighted for authenticity. It is framed and backed with paper, ready-to-hang with appropriate hardware.
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Blend Cota Hand Signed Oil on Canvas Framed - 24 x 36 Fire Treated Resin FinishStore: BCota
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An original 12” x 24" (30.48 x 60.96 x 1.91 cm) oil painting on canvas.Painted in 2010, the painting has been museum sealed and copyrighted for authenticity. It is framed and backed with paper, ready-to-hang with appropriate hardware.
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18" x 32" Giclée Artist: Jean Auguste Dominique Ingres Year: 1814 Medium: Oil on canvas Dimensions: 88.9 cm × 162.56 cm (35 in × 64 in) Location: Louvre, Paris
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Viola was born in 1911 and died in 2000. She was a teacher in country and public schools. Her first love was always art. She enjoyed teaching others the different types of art drawing and oil painting. This Amazing 24x18 canvas is in wonderful condition.
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A 20" x 24″ (50.8 x 60.96 cm) original oil painting on canvas.Painted in 2012, this painting has been museum sealed and copyrighted for authenticity. It is framed and backed with paper, ready-to-hang with appropriate hardware.
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This digital art is what modernism entail. With such detail and beauty, it is definitely a piece to look out for. The appreciation for art and technology is transpired in each digital stroke of the art
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This intimate portrayal of Joseph demonstrates Reni’s skill through his rendering of the foster father of Christ as a simple man tenderly holding his infant son. The fruit held by infant Jesus reminds us of the fall of man in Eden and the fruitfulness of redemption through the advent of Christianity.
He was the most famous Italian painter of his day, revered for the grace and naturalness of his serenely balanced compositions. Even referred to as “the divine Guido.”
Working during the Catholic Counter-Reformation in the seventeenth century, Reni depicted images of saints and holy figures in the humanized and accessible form Catholic leaders required. This intimate portrayal of Joseph demonstrates Reni’s skill through his rendering of the foster father of Christ as a simple man tenderly holding his infant son.
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Store: GalleriaAIessenCe
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This digital art is what modernism entail. With such detail and beauty, it is definitely a piece to look out for. The appreciation for art and technology is transpired in each digital stroke of the art
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The Kiss (in German Der Kuss) is an oil-on-canvas painting with added gold leaf, silver, and platinum by the Austrian Symbolist painter Gustav Klimt. It was painted between 1907 and 1908, during the height of what scholars call his “Golden Period.” It was exhibited in 1908 under Liebespaar (the lovers), as stated in the exhibition catalog. Love, intimacy, and sexuality are common themes in Gustav Klimt’s works.
The painting depicts a couple embracing each other, their bodies entwined in elaborate, beautiful robes that were decorated in style influenced by the contemporary Art Nouveau style and the organic forms of the earlier Arts and Crafts movement. The painting now hangs in the Österreichische Galerie Belvedere museum in the Belvedere.
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The Ambassadors is an oil on canvas painting of 1533 by Hans Holbein the Younger. Also known as Jean de Dinteville and Georges de Selve, it was created in the Tudor period, in the same year Elizabeth I was born. Speculations would suggest that Elizabeth’s mother, Anne Boleyn, then Queen of England, might have commissioned the painting as a gift for ambassador Jean de Dinteville, who is portrayed on the left in the painting. As well as being a double portrait, the artwork contains a still life of several meticulously rendered objects, the meaning of which is the cause of much debate. It incorporates a much-cited example of anamorphisms in painting. This painting displays the influence Early Netherlandish painting had on Holbein.
The most notable and famous of Holbein’s symbols in his work is the distorted skull placed in the bottom center of the composition. The skull, rendered in anamorphic perspective, another invention of the Early Renaissance, is meant to be a visual puzzle as the viewer must approach the painting from high on the right side or low on the left side to see the form as an accurate rendering of a human skull.
The Ambassadors has rested in London’s National Gallery collection since its purchase in 1890.
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Artist: Haim Sherrf Medium: Oil on Canvas Size: 36"/48" Year Created: 2009 *The artwork includes a certificate of authenticity (COA).*Store: DAVWATTS
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Artist: Edward Grossman Medium: Oil on Canvas Size: 39"/47" Year Created: 2009 Edition: VI *The artwork includes a certificate of authenticity (COA).*Store: DAVWATTS
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Hometown Morning is the sixth and final look at the hometown of the artist's boyhood—and, the latter hopes, at some of the things you remember most warmly about your hometown as well. This artwork is framed, limited edition and handsigned by the artist