Showing 37–48 of 243 results
$4,520.00
An original 14″ x 18″ (35.56 x 45.72 cm) oil painting on canvas.Painted in 2010, this painting has been museum sealed and copyrighted for authenticity. It is framed and backed with paper, ready-to-hang with appropriate hardware.
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$16,350.00
An Original 36"x24" Oil painting on Canvas.Painted in 2010, this painting has been museum sealed and copyrighted for authenticity. It is framed and backed with paper, ready-to-hang with appropriate hardware
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$25,000.00
This Oil on Wood panel masterpiece by Walt Johnston captures the beauty of Downtown Los Angeles in the 1980s. This 56"x34" includes a 65”x 40” frame.
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$25,000.00
This Walt Johnston original captures a restaurant that would have been a staple of many Los Angeles natives in the 1980s. This 56"x 34" comes with a 59.5" x 37.5" frame.
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$10,000.00
This unbelievable 24" x 20" oil on canvas painting comes with a 32" x 28" frame (circa 1984)
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From: $10,800.00
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Le Déjeuner sur l'herbe / The Luncheon on the Grass – originally titled Le Bain (The Bath) – is an impressionist oil on canvas painting by Édouard Manet created in 1862 and 1863.
It depicts a female nude and a scantily dressed female bather on a picnic with two fully dressed men in a rural setting. Rejected by the Salon jury of 1863, Manet seized the opportunity to exhibit this and two other paintings in the 1863 Salon des Refusés, where the painting sparked public notoriety and controversy. The artwork broke away from the classical view that art should obey established conventions and sought to achieve timelessness.
The work is now in the Musée d’Orsay in Paris. A smaller, earlier version of the image is currently exposed at the Courtauld Gallery, London.
From: $10,800.00
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Nighthawks is a 1942 American realism oil on canvas painting by Edward Hopper that portrays four people in a downtown diner late at night as viewed through the diner’s large glass window. The light coming from the restaurant illuminates a darkened and deserted urban streetscape.
It has been described as Hopper’s best-known work and is one of the most recognizable paintings in American art. It is suggested that Hopper was inspired by a short story of Ernest Hemingway’s, either “The Killers” (1927), which Hopper greatly admired, or the more philosophical “A Clean, Well-Lighted Place” (1933).
The scene was supposedly inspired by a diner (since demolished) in Greenwich Village, Hopper’s neighborhood in Manhattan. Hopper said the painting “was suggested by a restaurant on Greenwich Avenue where two streets meet”. Additionally, he noted that “I simplified the scene a great deal and made the restaurant bigger”.
